![]() In the first half of the twentieth century, Japanese singers Tamaki Miura and Hizi Koyke lent their “authentic” Japanese qualities, singing Cio-Cio San on opera stages around the world. A staple of the opera stage and an audience favorite, Madame Butterfly has afforded more than a few Asian sopranos their one big chance at singing a titular role at a time when Asian artists were all too often denied opportunities because of discriminatory casting practices. joins LA Opera as a guest contributor for the month of May and in recognition of Asian American and Pacific Islander Heritage Month.Īsians in opera have had a complicated relationship with Puccini’s Madame Butterfly for the past century. ![]() ![]() ![]() "Even more encouraging in a world where the same handful of works gets recycled again and again is the infusion of new works by composers from a range of backgrounds." ![]()
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